This is a project I started after hearing several speakers talking about people taking a quick photo of a scene and then just moving on to the next big view, without taking the time to enjoy the smaller details, wildlife, colours and abstracts within that bigger picture. If anything I tend to be the opposite way round, enjoying the wildlife and details of nature, and taking fewer big landscapes, but it made me think of a project idea, so in these photos I’ve taken a landscape view, and then shown the details within my bigger scene – scenes within scenes. My aim was to take all the photos within 100m (a distance I can usually manage even on crutches) of my bigger ‘landscape’ picture to show why it’s worth slowing down and enjoying these beautiful places.

Since starting this project I’ve found I observe more details of the ecosystems I visit. When slowing down to look for photographic subjects we are more likely to notice the smaller flowers and insects like the butterflies and beetle in the spring North Yorkshire Moors image. I stopped because I saw one butterfly, then noticed a green tiger beetle, then another butterfly and so on! When we slow down we also tend to notice more macro details and abstract images, like the water abstracts in Dalby Forest, and also take more time to try more creative views of nature like the ICM and multiple exposure images in Broxa forest in autumn. Limiting ourselves to photographing in a smaller area, rather than rushing on to the next big view, we have had chance encounters with wildlife like the geese flying across Cow Green reservoir, reflected in the still water (the only time I’ve ever seen it that still and reflective).

Having taken my images, I create the composite images in Lightroom’s Print module, using a variety of user templates. I try to match or balance colour themes in my images and balance the subjects to create the most pleasing compositions, and then print to file to create my finished image.